Showing posts with label digicams. Show all posts
Showing posts with label digicams. Show all posts

Eclair 16mm ACL Camera Manual

Eclair 16mm ACL Camera Manual

Low profile and portability not only gives the ECLAIR ACL camera an elegant appearance, but it is a practical feature which enables the cameraman to take pictures while in a very confined space. The ACL rests low on the shoulder; in fact wherever there is headroom there is space for him to operate his camera. Examples:- seated in a moving car next to or behind the driver; in a cockpit; in a bunker; up a tree; or in any confined space where a camera is called for. The ACL is unobtrusive.

Total weight is important where there is plenty of action and mobility is the key word. The ACL with its 60m (200 ft) magazine, fully loaded, weighs 3.6 kg (8 lbs). With all its ancillaries, this camera presents no problem when climbing any structure or following any action. The ACL is truly a professional camera.

A self-blimped quiet running camera permits candid shots and unselfconscious action. The moving parts in the ACL have been kept to a minimum; it’s wedge-shaped claw slides quietly into the film perforation; it’s plane shutter and oscillating mirror reduce the whir of rotating mirror shutters; the overall noise level is better than 32 dB at 1 m (3 ft).

A crystal controlled brushless motor has been specially designed for the ACL. Incorporated in this motor are some of the features developed for spaceflight - miniaturised control, high efficiency, freedom from static etc. It is based on The Hall Effect; runs silently, draws only 0.8 A from the small rechargeable battery. No hash is added to the radio microphone signals. The speed is accurately regulated to 24 or 25 frames per second by crystal control.

Snap-on magazines, made famous throughout their range of cameras, afford the film maker the advantages of a 3 second effective re-load time and the ability to change quickly to different film stocks by pre-loading magazines. The cameraman has the choice of 60m (200 ft) core loads, standard 30m (100 ft) or 60m (200 ft) daylight loading spools.

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DuneCam Users Manual

DuneCam Users Manual

The DuneCam™ system allows remote control and monitoring of a camera system. It is designed for use in aerial photography applications such as Kite Aerial Photography, Pole Aerial Photography, or Balloon Aerial Photography, but the system can be used in other remote camera applications as well.
The system consists of an aerial controller and a ground controller.

The aerial controller is a small circuit board that performs the following functions:
• Control of a servo motor for pan (horizontal) movement. The pan servo can be either a standard R/C aircraft servo or one modified for continuous rotation.
• Control of a servo motor for tilt (vertical) movement
• Control of a camera’s shutter by one of several mechanisms:
o A shutter servo motor that presses down on the shutter button
o IR (infrared) control for cameras controllable by an IR remote
o Hard-wired shutter switch connection
o CHDK “remote” activation for Canon cameras
• Highly reliable 2-way communications with the ground controller via a 2.4 GHz spread spectrum radio
• Video capture from a composite video signal
• Monitoring of the rig battery voltage
• Highly efficient power supply functions to run all the aerial electronics
• Positive confirmation of shutter activation

The ground controller is a handheld device with the following features:
• Sunlight readable color LCD
• A slider control for adjusting tilt
• A knob control for adjusting pan
• Buttons to control shutter, video and other functions
• A flash memory card to configure the operation of the ground controller and the aerial controller
• Ability to change between up to 10 user-programmable system configurations
• Flexible scripting feature for automated sequences of actions
• Built-in rechargeable battery

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CamLynx-Digital Capture and Basic Service Production Production

CamLynx-Digital Capture and Basic Service Production Production

Using CamLynx is simple and easy. It is can be used tethered to your camera at a photo shoot or untethered after the shoot. Using CamLynx tethered allows for visual verification of the image and the data at point of capture. A tethered shoot also allows you to produce simple services on site. CamLynx is used untethered is for smaller jobs or when the location is prohibitive to bringing a computers, such as sports shoots. Setting up a job in CamLynx:
Before starting a new job, it is important to prepare CamLynx for the shoot.
1. Add Data:
Select Import Data from the Data Menu and use the Import Wizard to bring in data from TXT, CSV, MDB or XLS files. If you are using SPS to prepare files, use the Load Data option on the Data menu.

Import Wizard Step 1 of 4: When Importing Text, choose Header = True if your file has a field description header. Start line is where you want to start importing the data from; this must include the header if it exists. Select from Comma Delimited, Tab Delimited, or Custom Delimited. Click “Next”. When selecting a MDB or XLS file, enter the password for that file. If there was no password set on the file, use “admin”. Click “Next”.
Import Wizard Step 2 of 4: If a MDB or XLS file is selected, a list of the tables in your data is displayed. Choose the table that includes the records that you want to import. Click “Next”.
Import Wizard Step 3 of 4: Map your fields to the fields that exist in CamLynx. The Import will automatically check for field matches in CamLynx if your file has a description header. Click “Next”.
Import Wizard Step 4 of 4: Choose your fields to compare for Merging data. If you want to ADD data, un-check ALL fields. Click “Finish”.

If you are importing updated or additional data to an existing database, use the 2 “Do not merge” checkboxes to tell CamLynx how to handle duplicate data.

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RED ONE Digital Cinema Camera Operation Guide

RED ONE Digital Cinema Camera Operation Guide

The RED ONE camera ships as standard with a PL mount. To protect against dust and other contaminants entering the optical path, ensure that the lens cap is used at all times when a lens is not mounted on the camera. Additional mounts and adaptors are available for use with non-PL mount lenses.

A wide range of options and accessories are available to customize your RED ONE camera. The Basic Production Pack includes a top bracket and top handle, a base plate that accepts 19mm rods; two19mm rods, an adjustable grip handle, a combination shoulder pad/wedge plate adaptor, V mount battery plate, and a digital magazine cradle.

RED ONE camera body with Basic Production Package (lens and tripod not included) The distance from the digital magazine cradle to the camera back may be adjusted to counter balance the weight of the lens. In addition the shoulder pad/wedge plate adaptor can slide against the base plate and be locked in position. The adaptor includes wedge plate mounting holes, so there is no need to remove this component between on-the shoulder and tripod applications. Additional rods, brackets and grips may be added to the Basic Production Pack to configure the camera to a wide variety of studio and field production applications.

The RED ONE Power Pack includes two 140Wh batteries, RED CHARGER and an auxiliary power cable. When connected to a 120V/240V AC power source, the charger sequentially fast charges two batteries, or supplies the camera with 100W @13.8V regulated DC power.

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Red One Camera: Operation Guide Firmware Build 17, Version 3.4.1

Red One Camera: Operation Guide Firmware Build 17, Version 3.4.1

Camera Assembly
Connect the power cable from the Battery Plate, RED-CHARGER or AC Power Adaptor to the DC input on the rear of the camera body.

The RED-LCD and RED–EVF viewfinder may be mounted to the camera body using a short or extended length RED ARM. Attach the RED ARM to the camera body using the shorter threaded screw. There are attachment points on the camera body and on the RED RAIL TOP BRACKET. Then attach the end of the arm with the circular locking ring to the RED-LCD or RED-EVF. Finally connect the cable from the camera body to the RED-LCD or RED-EVF. Carefully align the red dots on the socket and plug, and push firmly to establish contact.

Attaching the RED-LCD or RED-EVF
The RED-LCD and RED-EVF cables are interchangeable; but the outputs are not. The RED-EVF should be connected to the upper output; a RED-LCD should be connected to the lower output. If using RED-DRIVE, place it into the RED-CRADLE and secure it with the four thumbscrews.

Then connect the RED e-SATA cable to the RED-DRIVE™ and to the e-SATA input on the rear of the camera body. (In normal operation use the right angle connector to mate to the RED-DRIVE, and the straight connector to mate to the camera)

Remove the lens cap and mount the PL lens you wish to use. The lens will have four metal tabs with cutouts for the registration pin in the mount. If using S4/i compatible lenses the data pins should be oriented to 12 o’clock when mounting the lens in order to establish communication. Attach matte box and motors, and any auxiliary power cables required to power these items.

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Seitz VR Drive Panorama Calculator 6.6 Operation Manual

Seitz VR Drive Panorama Calculator 6.6 Operation Manual

The information in this operator’s manual is related to the following two types of panorama calculators: “MultiRow” and “Sperical Panorama”. The only limitations are the format of a single picture and it should be a rectangle (no fisheye lenses) and for spherical panoramas the single photographs should be taken in portrait format.

Nowadays digital photo technique allows the creation of panorama photographs with a previously unknown resolution. I think the first photographer breaking the Gigabyte boundary was Max Lion with his MultiRow panorama from the Bryce Canyon taken in 2003. When taking into account a professional SRL camera, e.g. the Canon EOS 1Ds Mark III with its 21 Mega pixels, the MultiRow technique opens up new possibilities.

A panorama photograph whether it is a MultiRow or a Spherical Panorama must be taken on a fixed position not to be confused with mosaic e.g. Satellite photographs which are taken from different positions.
Also Spherical Panoramas are delighting the professional promotion sector (real estate properties and tourism market) and are also very popular in the semi professional community.
As you assume, to take MultiRow and Spherical panoramas, it will require a minimal knowledge to calculate the relevant parameters for a specific equipment combination as:
- Sensor size (depending on the camera model used)
- Focal length of the lens used
- Horizontal/vertical step size between two pictures
- Horizontal/vertical overlap between two pictures
- Numbers of columns and rows
- Camera format (portrait / landscape)
To get good results, of course appropriate equipment, not necessarily expensive, is a requirement.
The suggested panorama calculator should support photographers in the preparation phase before taking the pictures. In chapter 2 and 3 the functionality and the use of the panorama calculator will be explained in more detail.

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Nikon Digital Camera Coolpix 900 User’s Guide

Nikon Digital Camera Coolpix 900 User’s Guide

The COOLPIX 900 is a full-featured digital camera with optical and digital zoom and a built-in flash. In automatic mode the camera’s programmed autofocus, autoexposure, auto white-balance, and matrix metering allow for “point-and-shoot” photography that produces excellent results in a variety conditions. The menu-driven manual mode offers a choice of metering methods, exposure compensation, and white balance programs in addition to a variety of digital effects. Photographs taken in either mode can be played back instantly on the camera’s color LCD monitor, or the camera can be connected to a television for demonstration. The COOLPIX 900 can also be attached to a computer, where your images and recordings can be viewed using the Nikon View 900 software provided with your camera, or edited for use in other applications.

The manuals for your COOLPIX 900 and the Nikon View 900 browser software are divided into three parts. The User’s Guide (this manual) offers a brief introduction to using your camera and describes how to install Nikon View 900. Separate reference guides for camera and software (both Macintosh and Windows versions) are provided on CD-ROM. These reference guides can be viewed on-line or printed when you need more detailed information on using the camera and software. In addition, a one-page Fast Track Guide is provided for experienced users who want to get started with a minimum of instruction. Where appropriate, this guide will refer readers to the reference manuals or Fast Track Guide for more information. References to manuals on CD are indicated by a icon, references to the Fast Track Guide by a icon.

The chapters that follow guide you, step-by-step, through the basics of using your camera and installing the browser software for your platform. The next chapter, “Parts and Accessories,” introduces you to the parts of the camera. This is followed by “First Steps,” which outlines the steps you will take after you remove the camera from the box, from inserting the batteries to taking your first photographs and playing them back. Information on installing the browser software provided with your camera may be found in “Nikon View 900,” which also describes how to install the Adobe Acrobat Reader software you will need to view the manuals on CD-ROM. Please read all instructions carefully to ensure that you get the most from your camera.
Note: The illustrations in this manual are composites. Photographs taken with the COOLPIX 900 may differ from those shown here.
Note: The illustrations in this manual show the color LCD monitor used in the NTSC-compatible model of the COOLPIX 900. Owing to differences in video standards, the PAL-compatible model will display items in positions slightly different from those shown here.

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NTE 2 Detector/Camera Manual

NTE 2 Detector/Camera Manual

This manual provides the user with all the information needed to install a NTE 2 Detector/Camera and place it in operation. Topics covered include a detailed description of the NTE 2 Detector/Camera, installation, microscopy applications, cleaning, specifications and more.
Chapter 1, General Information provides an overview of the NTE 2 Detector/Camera.
Chapter 2, Detector/Camera Setup provides detailed directions connecting the detector, installing it for spectroscopy or imaging, and over-exposure protection considerations.
Chapter 3, Cooling the Detector /Camera discusses how to establish and maintain temperature control with a ST-133A Controller. Also provides information on the effects of long-term vacuum degradation on cooling capability and temperature control.
Chapter 4, Focusing discusses how to focus the detector in both spectroscopy and imaging applications.
Chapter 5, Microscopy Applications discusses how to mount the NTE 2 Detector/Camera to a microscope. Includes discussion of various adapters, focusing considerations and sensitivity to damage from EMF spikes generated by Xenon or Hg arc lamps.
Chapter 6, Operation discusses a number of topics, including effects of high humidity, UV effects on the scintillator coating, baseline signal and noise.
Chapter 7, Cleaning contains directions for cleaning the detector’s housing and optics.
Appendix A, Specifications includes detector specifications.
Appendix B, Outline Drawings includes outline drawings of Spectrograph mount, C-mount, F-mount, and fiber-optic coupled detectors.

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Eclair ACL Manual

Eclair ACL Manual

THE CAMERA HEAD (Code MIPEX)
The camera head (Fig A) in special aluminum alloy supports the lens mounts (1) in stainless steel, the interchangeable gelatine-holder (2), the reflex viewfinder (3), the motor (6) with its control for electronics (7), the electronic base (8) incorporating the sliding on/off switch (32), the lateral support (75) of the hand-grip (36) with its micro-switch (76), the magazine lock release lever (16) with its safery catch (17) and the removable hand-grip (36). On the rear (Fig B): the mechanism plate (9) on which are mounted film gate (10), the fixed guide bar (11) and its side pressure bar (12), the magazine drive shaft (18), the 4 pin power supply socket (19) for connection with the battery, the clapper switch (20) and the potentiometer (34) of the exposure indicator.
Inside: the claw mechanism (13), the oscillating mirror (14), the plane shutter (15) and the exposure indicator unit. The snap-on 60m, or 120m magazine are attached onto the camera head as well as the fixed focal or zoom lenses. NOTA. The above camera head can be sup- plied without Exposure indicator unit; its commercial code is MITAN.

THE MULTIDUTY MOTOR (MIVAR)
This brushiess motor (6) has a very high efficiency (from 0.8 to 1.2 amp. consumption at 12 volts to drive the camera at20°C (68° F) and has permitted a weight reduction not only in the camera but also in the battery (37) - page 12 - which weighs only 640 grammes enabling one hour of filming between recharges, i.e. eight to ten 60 m magazines.

The incorporated electronics (7) control the sync. speed by crystal ; changing from 24 to 25 f.p.s. or vice-versa is made by shifting switch (38) so that the white spot mark is adjacent to the desired speed. Others speeds : 8.12.50 and 75 are obtained by setting the engraved button 35 accordingly. The MIVAR will stop the camera automatically in viewing position, i.e. the mirror being in the aperture axis allows the cameraman to frame and focus without loss of time.

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Nikon 500 Series Total Station Instructions

Nikon 500 Series Total Station Instructions

This document contains instructions to download or upload field data from or to the Nikon 500 series total stations. To download or upload, you need coordinating instructions for Terramodel and the data collector. For information not included in these instructions, see the Terramodel User’s Guide Addendum, the Terramodel online help or the documentation for the Nikon that you are using.

To download or upload Nikon 500 series data to/from Terramodel, you need the following items to begin:
• Terramodel 9.8 software (called Terramodel below) with the Nikon scripts available on the Download/Import and
Export/Upload options lists (accessible from the File menu).
• Nikon 500 series total station
• For downloading, a job must exist on the total station with raw or coordinate data.
Note: If you want to download raw data from the Nikon, do not use the specialty Nikon .lgr files. The Nikon 500 series allows you to export data in either of two Sokkia/SDR formats. There are two SDR formats, SDR33 and SDR2X. The SDR2X format supports 4-byte numeric point identifiers; for this data use the Sokkia 2x.lgr. The SDR33 format supports 14-byte alphanumeric point identifiers; for this data use the Sokkia 33.lgr.
• The Import and Export scripts mentioned in these instructions are editable. If the script on your system has been edited, some of the Terramodel dialog boxes mentioned in the instructions may not appear. Don’t worry if this happens; just skip to the next step and continue the process.

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Nikon Optiphot Instructions

Nikon Optiphot Instructions

The ImageCORE’s Nikon Optiphot-2 is set up as a digital fluorescence acquisition microscope. The Eclipse is coupled to a 12-bit Roper Coolsnap CF digital capture camera. This system should be used to observe and record images prior to use of other, higher resolution, ImageCORE resources.

Power Up Procedure
• For your protection as well as the equipment, please dawn gloves provided to you by the ImageCORE at no charge
• Carefully remove the protective dust cover from the microscope ensuring that the back of the cover does not catch or move the mercury supply adjustments
• The Nikon Optiphot-2 has 2 power supplies. The order in which these supplies are turned on is important. Begin by turning on the main power supply (1.1). The slider (1.2) located next to the power switch is used for white light source intensity adjustment.
• Should you desire fluorescence excitation, you will need to turn on the mercury light source. It is imperative that the mercury source is used for duration of at least 15minutes. Likewise, it is also imperative that the mercury source not be switched on after prior use for at least 30 minutes.
• In order to illuminate the mercury light source, turn on the power supply (1.3). Next, in order to ignite the bulb, press and hold the “ignition” button (1.4). Once the bulb is properly ignited, the “ready” light will illuminate.

Image Acquisition
• Select the appropriate excitation wavelength using the filter cube selection slider (2.1). Further compose your image using the focus and translation stage. When you are not actively observing or imaging your sample, it is important to engage the shutter (2.2) and block the excitation light to your sample. When the shutter is depressed, the light path is undisturbed and excitation can occur. Subsequently, when the shutter is pulled out, the light path is disturbed.
• In order to set the scope for digital capture, it is necessary to manipulate the “eyepiece/camera” selector (2.3). When depressed, the eyepieces are in the light path and when pulled out, the digital camera is in the light path.
• Having configured the microscope properly as discussed herein, it is now time to configure the computer system for digital image capture. Please refer to the separate instruction document entitled “Computer Login/Image Acquisition Instructions.”

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Nikon Eclipse E800 Instructions

Nikon Eclipse E800 Instructions

the ImageCORE’s Nikon Eclipse E-800 is set up as a high-resolution fluorescence acquisition microscope. The Eclipse is coupled to a 12-bit QImaging Retiga 1300i digital capture camera. Use of this acquisition system should be limited to those investigators that have observed their samples previously on lower resolution systems and require the image quality afforded by this system.


Power Up Procedure
• For your protection as well as the equipment, please dawn gloves provided to you by the ImageCORE at no charge
• Carefully remove the protective dust cover from the microscope ensuring that the back of the cover does not catch or move the mercury supply adjustments
• The Nikon Eclipse has 2 power supplies. The order in which these supplies are turned on is important. Begin by turning on the main power supply (1.1). Once the main supply is on, adjust the selector on the base of the scope (1.2) to either “DIA” for brightfield microscopy or “EPI” for fluorescence microscopy. This selector toggles the white light source on and off.
• Should you desire fluorescence excitation, you will need to turn on the mercury light source. It is imperative that the mercury source is used for duration of at least 15minutes. Likewise, it is also imperative that the mercury source not be switched on after prior use for at least 30 minutes.
• In order to illuminate the mercury light source, turn on the power supply (1.3). Next, in order to ignite the bulb, press and hold the “ignition” button (1.4). Once the bulb is properly ignited, the “ready” light will illuminate.

Image Acquisition
• Select the appropriate excitation wavelength using the filter cube selection slider (2.1). Further compose your image using the focus and translation stage. When you are not actively observing or imaging your sample, it is important to engage the shutter (2.2) and block the excitation light to your sample. When the shutter is depressed, the light path is undisturbed and excitation can occur. Subsequently, when the shutter is pulled out, the light path is disturbed.
• In order to set the scope for digital capture, it is necessary to manipulate the “eyepiece/camera” selector (2.3). When depressed, the eyepieces are in the light path and when pulled out, the digital camera is in the light path.
• Having configured the microscope properly as discussed herein, it is now time to configure the computer system for digital image capture. Please refer to the separate instruction document entitled “Computer Login/Image Acquisition Instructions.”

Shutdown Procedure
• After properly restarting the computer system as discussed in the “Computer Login/Image Acquisition Instructions,” attention must be paid to the microscope.
• Begin by returning all system on the scope to their “off” positions. This includes moving the filter slider (2.1) left to the “DIA” position. Next make sure the shutter (2.2) is pulled out from the scope and blocking the light path. Lastly, move the “eyepiece/camera” selector (2.3) inward towards the scope to “eyepiece” position.

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Aquatica Pro Digital Housing for the Nikon D700 Operating Manual

Aquatica Pro Digital Housing for the Nikon D700 Operating Manual

The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding underwater photographers in the world. Each housing is handcrafted, quality checked and pressure tested to a 300 feet equivalent by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world.

The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D700 DSLR.

This manual assumes that the User is already familiar with the Nikon D700 camera. If not, please read the Nikon instruction Manual before attempting to use the housing.

With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in producing underwater images.

Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing.

Get pdf Aquatica Pro Digital Housing for the Nikon D700 Operating Manual

Aquatica Pro Digital Housing for the Nikon D700 Operating Manual

Aquatica Pro Digital Housing for the Nikon D700 Operating Manual

The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding underwater photographers in the world. Each housing is handcrafted, quality checked and pressure tested to a 300 feet equivalent by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world.

The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D700 DSLR.

This manual assumes that the User is already familiar with the Nikon D700 camera. If not, please read the Nikon instruction Manual before attempting to use the housing.

With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in producing underwater images.

Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing.

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Nikon Custom WB Procedures ExpoDisc White and Warm Balance Filters

Nikon Custom WB Procedures ExpoDisc White and Warm Balance Filters

Nikon D40 and D40x
1. Install the ExpoDisc over the front of the camera’s lens.
2. Allow the camera to set an automatic exposure using the ‘P’, ‘S’ or ‘A’ modes, or set the correct manual exposure in ‘M’ mode.
3. Press the ‘MENU’ button to access the back LCD menus. Select ‘White Balance’ in the Shooting Menu (green camera icon).
4. In the ‘White Balance’ Menu, use the directional pad to select PRE White balance preset’.
5. Select ‘Measure’ from the White balance preset menu.
6. The camera will ask whether you want to ‘Overwrite existing preset data?’ Select ‘Yes’. A message will appear telling you to take a photo.
7. With ‘Pre’ blinking on the shooting information display, aim the camera towards the light illuminating the subject. Press the shutter release button.
8. A successful white balance measurement will result in a ‘Data acquired’ message on the display.
9. Improper exposure may result in a ‘Subject is too dark’ message. If this message appears, then adjust exposure and repeat steps 3-7 until you receive a ‘Data acquired’ message.
10. Remove the ExpoDisc and start shooting.

Nikon D50, D70 and D70s
1. Install the ExpoDisc and set the camera to Manual Focus mode.
2. Allow the camera to set an automatic exposure using the “P”, “S” or “A” modes, or set the correct manual exposure in “M” mode.
3. Press and hold the ʻWBʼ button with left thumb while turning right thumb wheel to select ʻPreʼ in the control panel, then release the ʻWBʼ button.
4. Press and hold the ʻWBʼ button again until ʻPreʼ begins to blink in the control panel.
5. While ʻPreʼ is blinking (10 seconds), aim the camera in the appropriate direction for the given lighting condition and press the shutter release button. See the ExpoDisc Instruction manual for more information on where to aim the camera.
6. ʻGoodʼ will replace ʻPreʼ in the control to indicate a successful white balance reading.
7. If ʻno goodʼ appears, then repeat steps 5 and 6 until you see ʻgoodʼ flash in the control panel (too much, or too little light may result in a ʻno goodʼ reading).
8. Lightly press the shutter release button to exit menu functions.
9. Remove the ExpoDisc, return camera to auto focus mode (if desired), and start shooting.

Nikon D60
1. Install the ExpoDisc over the front of the cameraʼs lens.
2. Allow the camera to set an automatic exposure using the “P”, “S” or “A” modes, or set the correct manual exposure in “M” mode.
3. Press the ʻMENUʼ button.
4. Display the shooting menu and select ʻWhite Balanceʼ > Preset Manual, and then press the multi selector right.
5. Highlight ʻMeasureʼ and press the multi selector right. The screen shown at right will be displayed; highlight ʻYesʼ and press ʻOKʼ.
6. The message. “Take photo of white or gray object filling viewfinder under lighting for shooting,” will be displayed. When the message clears from the display, ʻPreʼ will start blinking in the viewfinder. ʻPreʼ will remain blinking for about 10 seconds or until the shutter is tripped.
7. With ʻPreʼ blinking, aim the camera towards the light illuminating your subject. Press the shutter release button.
8. If the camera was able to measure a value for white balance, the message “Data acquired” will be displayed.
9. Improper exposure will result in an error message that reads “Unable to measure preset white balance. Please try again.” Adjust your exposure and repeat steps 4-8 until you see the message “Data acquired”.
10. Remove the ExpoDisc and start shooting.

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Ikelite Digital Housing Supplemental Instructions for Nikon S210 ULTRAcompact Digital Housing

Ikelite Digital Housing Supplemental Instructions for Nikon S210 ULTRAcompact Digital Housing

Camera Setup (Nikon S210)
1. Set camera to Macro Mode.
2 Set camera to Auto Mode (camera icon).
3. Set ISO to 64
4. Set AF35 dial to 4 (if applicable)
NOTE: If over-exposure occurs, enable Macro Mode setting. If over-exposure continues, back away from the subject and then zoom in as necessary. Camera will focus far away even if Macro Mode is on. You can also use (-) Exposure Compensation.

Ikelite W-20 Wide-Angle Conversion Lens #6420
An external wide angle conversion lens increases angle of coverage so you can get much closer to your subject while still fitting everything in the frame. Add an Ikelite W-20 or other wide-angle lens with an Ikelite accessory port adapter. Use for increased color and clarity in any conditions.
NOTE: Slight vignetting may occur at widest angle camera lens setting. Zoom in slightly to eliminate, or crop the image in post-processing.
#9306.81 67mm Threaded Adaptor
Allows attaching Ikelite W-20, Epoque, and Type II Inon screw-on lenses with 67mm threads. Includes larger size removable flash deflector.
#9306.80 Bayonet Mount Adaptor
Allows attaching of the Inon UWL-105AD bayonet style lenses. Includes larger size removable flash deflector. Vignetting will occur at wide angle settings with these lenses. Zoom in or crop the image to eliminate vignetting.

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Steps for scanning slides with the Nikon LS-1000 scanner

Steps for scanning slides with the Nikon LS-1000 scanner

1. Gently insert your slide into the scanner slot. Do not force the slide into the scanner, otherwise the scanning mechanisms may be damaged. Also, never pull out a slide during a scan. Wait until the scan is finished and gently pull the slide out.
2. Launch Photoshop.
3. Select File>Import>Nikon Scan. The Nikon scanning software interface displays.
4. From the Color pull-down menu, choose either color positive or black-and-white positive, based on your slide.
5. In the Output Resolution field, type the amount of resolution you would like the final scan to have. Usually it is best to start with a high resolution such as 300 dpi, and then the resolution can be reduced later if needed. The standard resolution for images that will be viewed digitally is 72 dpi; the resolution for images that are intended to be printed is based on the printer and the quality you desire. Remember that higher resolutions correspond to larger file sizes!
6. Click the Preview button. An image of your slide displays. Don’t worry if the image is scanned in the wrong direction; you can rotate the image in Photoshop later.
7. Select the area to be included in the final scan. To do this, hold down the mouse and drag diagonally across the area of the image to be included in the final scan. A box with handles on the sides and corners appears, indicating what area of your image will be included in the final scan. Adjust if needed.
8. Click the Scan button. The scan is performed and the image is placed in a Photoshop file.
9. Select File>Save. Select the desired destination for your image and give it a title. Click the Save button.
10. At this point, the image can be rotated and improved in Photoshop using various filters, cropping commands, and level adjustments.
11. To remove your slide, return to the Nikon scanning software by selecting File>Import>Nikon Scan while you are in Photoshop. When the Nikon interface displays, click the Eject button (the button shown below) and your slide is ejected.

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Using The Nikon CoolPix 995 For Microscopic Photography

Using The Nikon CoolPix 995 For Microscopic Photography

The document will serve as a guide for setting up the Nikon 995 camera for microscopic photography.
Attaching the Camera to the Microscope
1. Remove the right eyepiece from the microscope by loosening the small
Allen screw located around the bottom ring of the eyepiece using the supplied Allen wrench. Note: turning the small Allen screw counterclockwise loosens it and turning it clockwise tightens it. When replacing the eyepiece do not overly tighten the Allen screw. Only a small amount of pressure is required to secure the eyepiece to the microscope.
2. Attach the eyepiece adapter to the camera by screwing (in a clockwise direction) it to the threads located around the camera lens. Be careful not to strip the threads. The adapter should turn easily onto the threads. You can make sure the threads are aligned properly by turning the adaptor in a counter clockwise direction about ½ of a rotation while resting it against the lens threads. You will feel the adapter align to center indicating that you can begin turning in a clockwise rotation to screw it to the lens.
3. Once the adaptor is attached to the camera, slide the barrel of the adaptor into the eyepiece tube to mount the camera on the microscope.
a. You may tighten the Allen screw to secure the camera so that the field of view is upright and the camera is aligned at a right angle to the eye tube.

Camera Settings (these are the settings that have given me the best results)
1. Turn the camera on by turning the mode-dial located to the right of the top LCD panel to M for manual.
2. Select the focus as close-up by pressing the focus mode button, labeled M-Focus, until a flower icon appears in the monitor. Use the zoom range control to zoom in until the flower icon turns yellow. This will place the camera in macro mode and allow for the sharpest focus.
3. Use the Mode button located on top of the camera in conjunction with the command dial to set the camera to Auto-Aperture (A) mode. An A in the bottom left of the monitor indicates that you are in aperture mode. Note that it will cycle between P, S and A. The illustration above shows the P setting. You will also see an A appear in the Control Panel as illustrated below.

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The Image Mechanics Fluid Mount Scanner tray for the Nilkon Super Coolscan 8000/9000

The Image Mechanics Fluid Mount Scanner tray for the Nilkon Super Coolscan 8000/9000

Our patented Fluid Mount Tray is designed to improve the quality of scans available from a Nikon™ 8000 and 9000 scanners. Made from a genuine Nikon scanner tray to ensure perfect operation, it allows you to fluid mount your film (from 8mm to 2 1/4 and everything in between) for the best possible scans.

Note: While our product is carefully crafted to prevent damage to your scanner, the scanner is not intended for use with fluid mounting systems. Use of this product may void the warranty of your scanner. Image Mechanics and Freestyle makes no warranties against damage to your scanner. USE THIS PRODUCT AT YOUR OWN RISK. Please test the seal of your tray by putting it on dry newspaper and filling it below the top of the tray with WATER (ONLY) overnight. DO NOT USE KAMI OR OTHER SOLVENTS TO TEST THE SEAL OF THE TRAY. If the tray leaks through any of the doublesealed seams, Image Mechanics and Freestyle will replace it free of charge.

OPERATION INSTRUCTIONS
Fluid Mounting:
1) Clean the glass with a non-ammonia glass cleaner such as Sprayway Glass Cleaner using your Webril lint-free wipe. Ammonia is not archival and not recommended around any photographic material. Do not use any cleaner, including ammonia, that might damage the silicone adhesive used to secure the glass plate in the film holder (such as nail polish remover, lighter fluid, etc.) .
2) Thoroughly dry the entire film holder using compressed air or a lint-free cloth. Also use the compressed air to remove any surface particles from the top and the bottom of the glass.
3) Make sure you have the proper side of the tray up first. Place a few drops of Kami fluid where you intend to place the film on the tray. Use the compressed air to remove the particles from the film itself on both sides and then place the film on the fluid. Keep the film square to and centered between the side lines. Also, the scanner will scan film easier when the film is closer to the front of the tray (the end which is inserted into the scanner). For example, with 6X9 cm film only the two images closest to the front can be easily scanned. Note that the masked side lines on the scanner glass are intended to indicate the APPROXIMATE maximum boundary of the scan area. For best results, when mounting film to the glass plate of the scanner you should keep your film centered between the aid lines and parallel to the side line. Note that the side lines are intended as guides only and may be slightly off-center, or slightly off “true”. Also, there needs to be just a few drops of fluid, enough to make its way under the film. Do not soak the tray in fluid, it wastes fluid and can damage the scanner.

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UniClamp Instructions

UniClamp Instructions

Here we’ll demonstrate, using our Nikon CP 950. The purpose of the photo is to show the Camera Tripod Mount Platform attached, and alignment of the Center Line of the UniClamp with respect to the center line of the Camera Lens. With this type of camera, the lens is fixed (doesn’t move in or out) and we’re going to continue to bring the UniClamp closer until they actually meet. Please remember that no locking Thumb Screws are tight at this point, if they were, you could not make the adjustments needed and possibly damage the camera.

In this photo, the final adjustment is made. This adjustment is centering the camera lens in reference to the center of the UniClamp Adapter. Don’t become frustrated, it takes a little practice because you are moving in 3 directions at the same time. Once you feel you have proper alignment, now tighten the Thumb Screws in the following order. Camera Tripod Mount Platform, The Thumb Screw on the Camera Tripod Mount Platform, and then the Thumb Screw on the UniClamp Adapter (Do Not Disturb the 3 Thumb Screws on Body of the UniClamp Adapter). During this process, things can have a tendency to move, so you will need to correct for those adjustments, but make them from a loose perspective as trying to force things while they are tight could cause damage to the Adapter and Camera (meaning, if you have loosen the Thumb Screws that you just tightened, do so).

Now replace assembly on Microscope Eyepiece. Being careful not to crash the Microscope Eyepiece into the Camera Lens and tighten the loosened Thumb Screw.

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